By Michael S. Goldberger, film critic
Too bad for Renée Zellweger. Plopped into a production company of virtual unknowns, aided only by co-star Harry Connick, Jr., she’s expected to make beguiling the seen-it-before triteness of director Jonas Elmer’s “New in Town.” Though she practically falls off her stiletto heels trying, there’s no saving this city mouse-country mouse cliché.
Last successfully chanced by Diane Keaton in “Baby Boom” (1987), which had charm if not novelty, this poor woman’s version of the chestnut possesses neither. A smattering of witty lines and humorous snippets of otherwise overwrought characterizations occasionally mitigate the onslaught of unabashed, formulaic predictability.
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